Marina Ovsyannikova disrupts live TV broadcast, Vremya, Channel One Russia, 14 March 2022, 2023, acrylic on wood, 56 × 43 cm
Metropolis. Directed by Fritz Lang, UFA, 1927, 2022, acrylic on wood, 114 × 152 cm; Party in the Blitz (group), 2023, Mamoth, London (installation view)
Removal of the statue of Queen Wilhelmina (Gerard van Lom) from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. (source: Stichting Surinaams Museum, archive nr: 20–162), 2019–2020, graphite on paper, 23 × 20 cm (framed 42 × 39 cm)
Untitled (dress to protest), 2022,
acrylic on wood, 56 × 43 cm; catalogue
U.S. Army Maj. Gen. Christopher Donahue, commander of the 82nd Airborne Division, XVIII Airborne Corps, boards a C-17 cargo plane at Hamid Karzai International Airport on 30 Aug 2021 in Kabul, Afghanistan, 2021, acrylic on wood, 56 × 43 cm
Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; The Palliative Turn (group), 2022, Künstlerhaus Bremen, DE (installation view)
The original position of the skeletons from the double burial from Grotte des Enfants. Upper Paleolithic, Italy. c. 24000 – 20000 BC, 2021, acrylic on wood, 96 × 67 cm; catalogue
Shakira, Pepsi Super Bowl LIV Halftime Show, NFL on Fox, 2 Feb 2020, 2021, acrylic on wood, 114 × 100 cm
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 × 36 × 18 cm
Ți-a ieșit iepurele în cale (solo), 2020
Another Mobile Gallery, Bucharest
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 × 34 cm (incl. border)
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 × 18 cm (framed 49 × 46 cm)
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 × 19.5 cm (framed 49 × 46 cm)
Cult Value, 2019, graphite and plaster,
38.5 × 30 × 11 cm (edition of 4 plus AP)
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London (installation view); catalogue
Untitled, 2019, graphite on paper,
12 × 9 cm (framed 43.5 × 40.5 cm)
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Dipi gron tiri, 2015, oil on linen,
70 × 150 cm; Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Bigi mang sturu, 2019, graphite on paper, framed 44 × 30 cm
In the realm of translation, 2014–2018,
graphite and plaster, 44 × 33 × 8 cm
Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Magic Mountain, 2017–2018,
graphite on paper, 18.5 × 12.5 cm
Untitled, 2014, graphite on paper,
30 × 24 cm
Counter, 2014, oil on linen,
60 × 90 cm; Faya Lobi (solo), 2020,
Praz-Delavallade, Paris (installation view)
Untitled, 2017, graphite on paper,
15 × 12 cm
Untitled, 2016, chromatic ink on paper,
73.25 × 58.25 cm
We continued drinking in silence, 2016,
chromatic ink on paper, 23.25 × 14.5 cm
Pietà, 2016, chromatic ink on paper,
32 × 24 cm
En het donker duurde een volle nacht,
2016, graphite on paper, 24 × 36 cm
If you dream of your tongue, beware (solo), 2017, Catinca Tabacaru gallery, NYC (installation view)
Marina Ovsyannikova disrupts live TV broadcast, Vremya, Channel One Russia, 14 March 2022, 2023, acrylic on wood, 56 × 43 cm
Metropolis. Directed by Fritz Lang, UFA, 1927, 2022, acrylic on wood, 114 × 152 cm; Party in the Blitz (group), 2023, Mamoth, London (installation view)
Removal of the statue of Queen Wilhelmina (Gerard van Lom) from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. (source: Stichting Surinaams Museum, archive nr: 20–162), 2019–2020, graphite on paper, 23 × 20 cm (framed 42 × 39 cm)
Untitled (dress to protest), 2022,
acrylic on wood, 56 × 43 cm; catalogue
U.S. Army Maj. Gen. Christopher Donahue, commander of the 82nd Airborne Division, XVIII Airborne Corps, boards a C-17 cargo plane at Hamid Karzai International Airport on 30 Aug 2021 in Kabul, Afghanistan, 2021, acrylic on wood, 56 × 43 cm
Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; The Palliative Turn (group), 2022, Künstlerhaus Bremen, DE (installation view)
The original position of the skeletons from the double burial from Grotte des Enfants. Upper Paleolithic, Italy. c. 24000 – 20000 BC, 2021, acrylic on wood, 96 × 67 cm; catalogue
Shakira, Pepsi Super Bowl LIV Halftime Show, NFL on Fox, 2 Feb 2020, 2021, acrylic on wood, 114 × 100 cm
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 × 36 × 18 cm
Ți-a ieșit iepurele în cale (solo), 2020
Another Mobile Gallery, Bucharest
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 × 34 cm (incl. border)
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 × 18 cm (framed 49 × 46 cm)
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 × 19.5 cm (framed 49 × 46 cm)
Cult Value, 2019, graphite and plaster,
38.5 × 30 × 11 cm (edition of 4 plus AP)
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London (installation view); catalogue
Untitled, 2019, graphite on paper,
12 × 9 cm (framed 43.5 × 40.5 cm)
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Dipi gron tiri, 2015, oil on linen,
70 × 150 cm; Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Bigi mang sturu, 2019, graphite on paper, framed 44 × 30 cm
In the realm of translation, 2014–2018,
graphite and plaster, 44 × 33 × 8 cm
Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Magic Mountain, 2017–2018,
graphite on paper, 18.5 × 12.5 cm
Untitled, 2014, graphite on paper,
30 × 24 cm
Counter, 2014, oil on linen,
60 × 90 cm; Faya Lobi (solo), 2020,
Praz-Delavallade, Paris (installation view)
Untitled, 2017, graphite on paper,
15 × 12 cm
Untitled, 2016, chromatic ink on paper,
73.25 × 58.25 cm
We continued drinking in silence, 2016,
chromatic ink on paper, 23.25 × 14.5 cm
Pietà, 2016, chromatic ink on paper,
32 × 24 cm
En het donker duurde een volle nacht,
2016, graphite on paper, 24 × 36 cm
If you dream of your tongue, beware (solo), 2017, Catinca Tabacaru gallery, NYC (installation view)