Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; catalogue
Wayana facial painting. French Guyana. 1953. (source: Dominique Darbois), 2021, acrylic on wood, 30 × 21 cm; catalogue
Untitled (dress to protest), 2022,
acrylic on wood, 56 × 43 cm; catalogue
What if the tongue is cut out? (solo), 2022, Catinca Tabacaru gallery, Art Basel Hong Kong (installation view); catalogue
The original position of the skeletons from the double burial from Grotte des Enfants. Upper Paleolithic, Italy. c. 24000 – 20000 BC, 2021, acrylic on wood, 96 x 67 cm; catalogue
Untitled, 2021, acrylic on wood,
49 x 43 cm
Shakira, Pepsi Super Bowl LIV Halftime Show, NFL on Fox, 2 Feb 2020, 2021, acrylic on wood, 114 x 100 cm
Removal of the statue of Queen Wilhelmina (Gerard van Lom) from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. (source: Stichting Surinaams Museum, archive nr: 20–162), 2019–2020, graphite on paper, 37 x 34 cm (incl. border)
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 x 36 x 18 cm
Ți-a ieșit iepurele în cale (solo), 2020
Another Mobile Gallery, Bucharest
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 x 34 cm (incl. border)
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 x 18 cm (framed 49 x 46 cm)
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 x 19.5 cm (framed 49 x 46 cm)
Cult Value, 2019, graphite and plaster,
38.5 x 30 x 11 cm (edition of 4 plus AP)
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London (installation view); catalogue
Untitled, 2019, graphite on paper,
12 x 9 cm (framed 43.5 x 40.5 cm)
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Dipi gron tiri, 2015, oil on linen,
70 x 150 cm; Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Bigi mang sturu, 2019, graphite on paper, framed 44 x 30 cm
In the realm of translation, 2014–2018,
graphite and plaster, 44 x 33 x 8 cm
Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Magic Mountain, 2017–2018,
graphite on paper, 18.5 x 12.5 cm
Untitled, 2014, graphite on paper,
30 x 24 cm
Counter, 2014, oil on linen,
60 x 90 cm; Faya Lobi (solo), 2020,
Praz-Delavallade, Paris (installation view)
Untitled, 2017, graphite on paper,
15 x 12 cm
Untitled, 2016, chromatic ink on paper,
73.25 x 58.25 cm
We continued drinking in silence, 2016,
chromatic ink on paper, 23.25 x 14.5 cm
Pietà, 2016, chromatic ink on paper,
32 x 24 cm
En het donker duurde een volle nacht,
2016, graphite on paper, 24 x 36 cm
If you dream of your tongue, beware (solo), 2017, Catinca Tabacaru gallery, NYC (installation view)
Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; catalogue
Wayana facial painting. French Guyana. 1953. (source: Dominique Darbois), 2021, acrylic on wood, 30 × 21 cm; catalogue
Untitled (dress to protest), 2022,
acrylic on wood, 56 × 43 cm; catalogue
What if the tongue is cut out? (solo), 2022, Catinca Tabacaru gallery, Art Basel Hong Kong (installation view); catalogue
The original position of the skeletons from the double burial from Grotte des Enfants. Upper Paleolithic, Italy. c. 24000 – 20000 BC, 2021, acrylic on wood, 96 x 67 cm; catalogue
Shakira, Pepsi Super Bowl LIV Halftime Show, NFL on Fox, 2 Feb 2020, 2021, acrylic on wood, 114 x 100 cm
Removal of the statue of Queen Wilhelmina (Gerard van Lom) from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. (source: Stichting Surinaams Museum, archive nr: 20–162), 2019–2020, graphite on paper, 37 x 34 cm (incl. border)
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 x 36 x 18 cm
Ți-a ieșit iepurele în cale (solo), 2020
Another Mobile Gallery, Bucharest
Untitled, 2021, acrylic on wood,
49 x 43 cm
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 x 34 cm (incl. border)
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 x 18 cm (framed 49 x 46 cm)
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 x 19.5 cm (framed 49 x 46 cm)
Cult Value, 2019, graphite and plaster,
38.5 x 30 x 11 cm (edition of 4 plus AP)
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London (installation view); catalogue
Untitled, 2019, graphite on paper,
12 x 9 cm (framed 43.5 x 40.5 cm)
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Dipi gron tiri, 2015, oil on linen,
70 x 150 cm; Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Bigi mang sturu, 2019, graphite on paper, framed 44 x 30 cm
In the realm of translation, 2014–2018,
graphite and plaster, 44 x 33 x 8 cm
Opportunity Cost (solo), 2019,
Praz-Delavallade, Los Angeles (installation view)
Magic Mountain, 2017–2018,
graphite on paper, 18.5 x 12.5 cm
Untitled, 2014, graphite on paper,
30 x 24 cm
Counter, 2014, oil on linen,
60 x 90 cm; Faya Lobi (solo), 2020,
Praz-Delavallade, Paris (installation view)
Untitled, 2017, graphite on paper,
15 x 12 cm
Untitled, 2016, chromatic ink on paper,
73.25 x 58.25 cm
We continued drinking in silence, 2016,
chromatic ink on paper, 23.25 x 14.5 cm
Pietà, 2016, chromatic ink on paper,
32 x 24 cm
En het donker duurde een volle nacht,
2016, graphite on paper, 24 x 36 cm
If you dream of your tongue, beware (solo), 2017, Catinca Tabacaru gallery, NYC (installation view)