Anton de Kom photographed by Piet Zwart, 1933, Stedelijk Museum Amsterdam, object nr. 1987.1.1599, 2025, oil on wood, 36 × 24 cm
Argh!, 2023–2024, graphite on paper, 40 × 30 cm [framed 47 × 37 cm]
Snow White and the Seven Dwarfs. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1937, 2023, patinated bronze, 24 × 32 × 10 cm
Aaliyah. Queen of the Damned. Directed by Michael Rymer, Warner Bros. Pictures, 2002, 2023–2024, acrylic on wood, 83 × 74 cm
Pengel, 2024, original photo album [1974] on loan from the estate of Stuart Robles de Medina, laserprint text on paper, table, chair, 175 × 80 × 70 cm; Love is not a maybe thing ..., 2024, Efremidis, Berlin [installation view]
Stuart Robles de Medina: Pengel (Berlin: coy koi books, 2024), hardback cloth, sewn bound, offset color print, screen print, 136 pages, 33.5 × 28 cm, ISBN 9783000775253 [edition of 300]
Removal of the statue of Queen Wilhelmina from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. Stichting Surinaams Museum. Archive nr. 20–162, 2024, acrylic on canvas, metal scaffold, 320 × 232 cm
Love is not a maybe thing ... , 2024, Efremidis, Berlin [installation view]
U.S. Army Maj. Gen. Christopher Donahue, commander of the 82nd Airborne Division, XVIII Airborne Corps, boards a C-17 cargo plane at Hamid Karzai International Airport on 30 Aug 2021 in Kabul, Afghanistan, 2021, acrylic on wood, 56 × 43 cm
Untitled (dress to protest), 2022, acrylic on wood, 56 × 43 cm; catalogue
I will go away into the wild wood, and never come home again., 2023, Alice Amati, London [installation view]
Preface, 2019–2023, silk-screen ink and gesso on wood, 141 × 100 cm [edition of 4 plus AP]
Ți-a ieșit iepurele în cale, 2020, chromatic ink on paper, 24 × 21 cm [framed 31 × 28.5 cm]
Ladywell Palace, 2020–2023, chromatic ink on paper, 24 × 21 cm [framed 31 × 28.5 cm]
Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; The Palliative Turn [group], 2022, Künstlerhaus Bremen, DE [installation view]
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 × 36 × 18 cm
Ți-a ieșit iepurele în cale, 2020, Another Mobile Gallery, Bucharest
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 × 34 cm [incl. border]
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 × 18 cm [framed 49 × 46 cm]
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 × 19.5 cm [framed 49 × 46 cm]
Cult Value, 2019, graphite and plaster, 38.5 × 30 × 11 cm [edition of 4 plus AP]
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London [installation view]; catalogue
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost, 2019, Praz-Delavallade, Los Angeles [installation view]
Dipi gron tiri, 2015, oil on linen, 70 × 150 cm; Opportunity Cost, 2019, Praz-Delavallade, Los Angeles [installation view]
Bigi mang sturu, 2019, graphite on paper, framed 44 × 30 cm
In the realm of translation, 2014–2018, graphite and plaster, 44 × 33 × 8 cm
Opportunity Cost, 2019, Praz-Delavallade, Los Angeles [installation view]
Magic Mountain, 2017–2018, graphite on paper, 18.5 × 12.5 cm
Untitled, 2014, graphite on paper, 30 × 24 cm
Counter, 2014, oil on linen, 60 × 90 cm; Faya Lobi, 2020, Praz-Delavallade, Paris [installation view]
Untitled, 2017, graphite on paper, 15 × 12 cm
Untitled, 2016, chromatic ink on paper, 73.25 × 58.25 cm
We continued drinking in silence, 2016, chromatic ink on paper, 23.25 × 14.5 cm
Pietà, 2016, chromatic ink on paper, 32 × 24 cm
En het donker duurde een volle nacht, 2016, graphite on paper, 24 × 36 cm
If you dream of your tongue, beware, 2017, Catinca Tabacaru gallery, NYC [installation view]
Anton de Kom photographed by Piet Zwart, 1933, Stedelijk Museum Amsterdam, object nr. 1987.1.1599, 2025, oil on wood, 36 × 24 cm
Argh!, 2023–2024, graphite on paper, 40 × 30 cm [framed 47 × 37 cm]
Snow White and the Seven Dwarfs. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1937, 2023, patinated bronze, 24 × 32 × 10 cm
Aaliyah. Queen of the Damned. Directed by Michael Rymer, Warner Bros. Pictures, 2002, 2023–2024, acrylic on wood, 83 × 74 cm
Pengel, 2024, original photo album [1974] on loan from the estate of Stuart Robles de Medina, laserprint text on paper, table, chair, 175 × 80 × 70 cm; Love is not a maybe thing ..., 2024, Efremidis, Berlin [installation view]
Stuart Robles de Medina: Pengel (Berlin: coy koi books, 2024), hardback cloth, sewn bound, offset color print, screen print, 136 pages, 33.5 × 28 cm, ISBN 9783000775253 [edition of 300]
Removal of the statue of Queen Wilhelmina from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. Stichting Surinaams Museum. Archive nr. 20–162, 2024, acrylic on canvas, metal scaffold, 320 × 232 cm
Love is not a maybe thing ... , 2024, Efremidis, Berlin [installation view]
U.S. Army Maj. Gen. Christopher Donahue, commander of the 82nd Airborne Division, XVIII Airborne Corps, boards a C-17 cargo plane at Hamid Karzai International Airport on 30 Aug 2021 in Kabul, Afghanistan, 2021, acrylic on wood, 56 × 43 cm
Untitled (dress to protest), 2022, acrylic on wood, 56 × 43 cm; catalogue
I will go away into the wild wood, and never come home again., 2023, Alice Amati, London [installation view]
Preface, 2019–2023, silk-screen ink and gesso on wood, 141 × 100 cm [edition of 4 plus AP]
Ți-a ieșit iepurele în cale, 2020, chromatic ink on paper, 24 × 21 cm [framed 31 × 28.5 cm]
Ladywell Palace, 2020–2023, chromatic ink on paper, 24 × 21 cm [framed 31 × 28.5 cm]
Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; The Palliative Turn [group], 2022, Künstlerhaus Bremen, DE [installation view]
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 × 36 × 18 cm
Ți-a ieșit iepurele în cale, 2020, Another Mobile Gallery, Bucharest
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 × 34 cm [incl. border]
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 × 18 cm [framed 49 × 46 cm]
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 × 19.5 cm [framed 49 × 46 cm]
Cult Value, 2019, graphite and plaster, 38.5 × 30 × 11 cm [edition of 4 plus AP]
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London [installation view]; catalogue
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost, 2019, Praz-Delavallade, Los Angeles [installation view]
Dipi gron tiri, 2015, oil on linen, 70 × 150 cm; Opportunity Cost, 2019, Praz-Delavallade, Los Angeles [installation view]
Bigi mang sturu, 2019, graphite on paper, framed 44 × 30 cm
In the realm of translation, 2014–2018, graphite and plaster, 44 × 33 × 8 cm
Opportunity Cost, 2019, Praz-Delavallade, Los Angeles [installation view]
Magic Mountain, 2017–2018, graphite on paper, 18.5 × 12.5 cm
Untitled, 2014, graphite on paper, 30 × 24 cm
Counter, 2014, oil on linen, 60 × 90 cm; Faya Lobi, 2020, Praz-Delavallade, Paris [installation view]
Untitled, 2017, graphite on paper, 15 × 12 cm
Untitled, 2016, chromatic ink on paper, 73.25 × 58.25 cm
We continued drinking in silence, 2016, chromatic ink on paper, 23.25 × 14.5 cm
Pietà, 2016, chromatic ink on paper, 32 × 24 cm
En het donker duurde een volle nacht, 2016, graphite on paper, 24 × 36 cm
If you dream of your tongue, beware, 2017, Catinca Tabacaru gallery, NYC [installation view]