Aaliyah. Queen of the Damned. Directed by Michael Rymer, Warner Bros. Pictures, 2002, 2023–2024, acrylic on wood, 83 × 74 cm
Argh!, 2023–2024, graphite on paper, 40 × 30 cm (framed 47 × 37 cm)
Pengel, 2024, original photo album (1974) on loan from the estate of Stuart Robles de Medina, laserprint text on paper, table, chair, 175 × 80 × 70 cm; Love is not a maybe thing ... (solo), 2024, Efremidis, Berlin (installation view)
Snow White and the Seven Dwarfs. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1937, 2023, patinated bronze relief, 24 × 32 × 10 cm
Removal of the statue of Queen Wilhelmina from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. Stichting Surinaams Museum. Archive nr. 20–162, 2024, acrylic on canvas, metal scaffold, 320 × 232 cm
Love is not a maybe thing ... (solo), 2024, Efremidis, Berlin (installation view)
U.S. Army Maj. Gen. Christopher Donahue, commander of the 82nd Airborne Division, XVIII Airborne Corps, boards a C-17 cargo plane at Hamid Karzai International Airport on 30 Aug 2021 in Kabul, Afghanistan, 2021, acrylic on wood, 56 × 43 cm
Untitled (dress to protest), 2022, acrylic on wood, 56 × 43 cm; catalogue
I will go away into the wild wood, and never come home again. (solo), 2023, Alice Amati, London (installation view)
Preface, 2019–2023, silk-screen ink and gesso on wood, 141 × 100 cm (edition of 4 plus AP)
Ți-a ieșit iepurele în cale, 2020, chromatic ink on paper, 24 × 21 cm (framed 31 × 28.5 cm)
Ladywell Palace, 2020–2023, chromatic ink on paper, 24 × 21 cm (framed 31 × 28.5 cm)
Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; The Palliative Turn (group), 2022, Künstlerhaus Bremen, DE (installation view)
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 × 36 × 18 cm
Ți-a ieșit iepurele în cale (solo), 2020, Another Mobile Gallery, Bucharest
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 × 34 cm (incl. border)
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 × 18 cm (framed 49 × 46 cm)
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 × 19.5 cm (framed 49 × 46 cm)
Cult Value, 2019, graphite and plaster, 38.5 × 30 × 11 cm (edition of 4 plus AP)
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London (installation view); catalogue
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Dipi gron tiri, 2015, oil on linen, 70 × 150 cm; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Bigi mang sturu, 2019, graphite on paper, framed 44 × 30 cm
In the realm of translation, 2014–2018, graphite and plaster, 44 × 33 × 8 cm
Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Magic Mountain, 2017–2018, graphite on paper, 18.5 × 12.5 cm
Untitled, 2014, graphite on paper, 30 × 24 cm
Counter, 2014, oil on linen, 60 × 90 cm; Faya Lobi (solo), 2020, Praz-Delavallade, Paris (installation view)
Untitled, 2017, graphite on paper, 15 × 12 cm
Untitled, 2016, chromatic ink on paper, 73.25 × 58.25 cm
We continued drinking in silence, 2016, chromatic ink on paper, 23.25 × 14.5 cm
Pietà, 2016, chromatic ink on paper, 32 × 24 cm
En het donker duurde een volle nacht, 2016, graphite on paper, 24 × 36 cm
If you dream of your tongue, beware (solo), 2017, Catinca Tabacaru gallery, NYC (installation view)
Aaliyah. Queen of the Damned. Directed by Michael Rymer, Warner Bros. Pictures, 2002, 2023–2024, acrylic on wood, 83 × 74 cm
Argh!, 2023–2024, graphite on paper, 40 × 30 cm (framed 47 × 37 cm)
Pengel, 2024, original photo album (1974) on loan from the estate of Stuart Robles de Medina, laserprint text on paper, table, chair, 175 × 80 × 70 cm; Love is not a maybe thing ... (solo), 2024, Efremidis, Berlin (installation view)
Snow White and the Seven Dwarfs. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1937, 2023, patinated bronze relief, 24 × 32 × 10 cm
Removal of the statue of Queen Wilhelmina from Independence Square, Paramaribo, Suriname. 1975. right: visual artist Stuart Robles de Medina. Stichting Surinaams Museum. Archive nr. 20–162, 2024, acrylic on canvas, metal scaffold, 320 × 232 cm
Love is not a maybe thing ... (solo), 2024, Efremidis, Berlin (installation view)
U.S. Army Maj. Gen. Christopher Donahue, commander of the 82nd Airborne Division, XVIII Airborne Corps, boards a C-17 cargo plane at Hamid Karzai International Airport on 30 Aug 2021 in Kabul, Afghanistan, 2021, acrylic on wood, 56 × 43 cm
Untitled (dress to protest), 2022, acrylic on wood, 56 × 43 cm; catalogue
I will go away into the wild wood, and never come home again. (solo), 2023, Alice Amati, London (installation view)
Preface, 2019–2023, silk-screen ink and gesso on wood, 141 × 100 cm (edition of 4 plus AP)
Ți-a ieșit iepurele în cale, 2020, chromatic ink on paper, 24 × 21 cm (framed 31 × 28.5 cm)
Ladywell Palace, 2020–2023, chromatic ink on paper, 24 × 21 cm (framed 31 × 28.5 cm)
Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBC News, 9 July 2020, 2022, acrylic on wood, 114 × 200 cm; The Palliative Turn (group), 2022, Künstlerhaus Bremen, DE (installation view)
Seated male slab figure. Late Quimbaya, Colombia. 700 – 1600 BC, 2020, newspaper, PVA, wood, poultry netting, metal wire, duct tape, 37 × 36 × 18 cm
Ți-a ieșit iepurele în cale (solo), 2020, Another Mobile Gallery, Bucharest
Harappa joint burial site, Haryana, India. 2500 BC. (source: Vasant Shinde)—repeated earthen plate, 2019–2020, graphite on paper, 37 × 34 cm (incl. border)
Bambi. Directed by David Hand (supervising a team of sequence directors), Walt Disney Productions, 1942, 2019, graphite on paper, 21 × 18 cm (framed 49 × 46 cm)
Bacula of rice rats (Oryzomys) and voles (Microtus) on Thomas Eakins, sketch for the Crucifixion, 1880, 2019, graphite on paper, 24.5 × 19.5 cm (framed 49 × 46 cm)
Cult Value, 2019, graphite and plaster, 38.5 × 30 × 11 cm (edition of 4 plus AP)
MFA Fine Art Degree Show, 2019, Goldsmiths, University of London (installation view); catalogue
Ai Sranang, 2017, HD video, colour, sound, 18’12”; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Dipi gron tiri, 2015, oil on linen, 70 × 150 cm; Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Bigi mang sturu, 2019, graphite on paper, framed 44 × 30 cm
In the realm of translation, 2014–2018, graphite and plaster, 44 × 33 × 8 cm
Opportunity Cost (solo), 2019, Praz-Delavallade, Los Angeles (installation view)
Magic Mountain, 2017–2018, graphite on paper, 18.5 × 12.5 cm
Untitled, 2014, graphite on paper, 30 × 24 cm
Counter, 2014, oil on linen, 60 × 90 cm; Faya Lobi (solo), 2020, Praz-Delavallade, Paris (installation view)
Untitled, 2017, graphite on paper, 15 × 12 cm
Untitled, 2016, chromatic ink on paper, 73.25 × 58.25 cm
We continued drinking in silence, 2016, chromatic ink on paper, 23.25 × 14.5 cm
Pietà, 2016, chromatic ink on paper, 32 × 24 cm
En het donker duurde een volle nacht, 2016, graphite on paper, 24 × 36 cm
If you dream of your tongue, beware (solo), 2017, Catinca Tabacaru gallery, NYC (installation view)